SXSW Review: ‘Violet’

Olivia Munn's Inner Thoughts Sound Like Justin Theroux In Justine Bateman's Fascinating Mess Of A Directorial Debut

Everybody has one, although we don’t always listen to it. It’s the voice in your head; your mom may have called it the angel on your shoulder. Sometimes that angel is really a devil, corrupting your instincts, your intuition, and even the thoughts you have about your own self-worth. In actress-turned-director Justine Bateman’s film Violet, that voice sounds an awful lot like Justin Theroux, and he’s tearing poor Olivia Munn apart from the inside as she tries to make it in the most judgemental place in the world: Hollywood.

Violet is a fascinating mess, one with valuable insights on mental health, female objectification, sexism, and more. Munn, who has dealt with more than her share of these issues quite publicly, is the perfect choice to play the title character. Violet is a 32-year-old head of production at a major movie studio in Hollywood, the kind of job that one might think affords a certain level of self-confidence. But Violet is completely the opposite. At every turn she doubts herself, devalues her own opinion, and gives in to those who don’t deserve it. She lets her subordinates walk all over her at work. She ignores the obvious romantic feelings she has towards her filmmaker friend Red (Luke Bracey) in favor of a smug Universal Studios exec (Peter Jacobsen) who doesn’t give a shit about her.

So why does she do this? The Committee. That’s the name she gives to the voice in her head that tells her to defy her every whim, and to never be open with anybody. To always keep her armor up, or worse, to drive them away altogether as she does an ex (Simon Quarterman) who has approached her in good faith. Bateman scrawls Violet’s thoughts across the screen in big, bold unmissable cursive. It’s a distraction, and too often an obtrusion into genuinely affecting scenes that need to stand on their own. Worse, this movie literally defines itself by telling you all of the things it could be showing you. Munn is more than capable of pulling off the conflicts within Violet, and pulls off one of her finest performances despite having all of the emotions she needs to portray spelled out for the audience. Bateman, who not only makes her directorial debut but wrote the Violet script, has a good idea that might have been better served with a more experienced hand behind the camera, one that trusts its audience a bit more.

REVIEW OVERVIEW
Violet
Travis Hopson has been reviewing movies before he even knew there was such a thing. Having grown up on a combination of bad '80s movies, pro wrestling, comic books, and hip-hop, Travis is uniquely positioned to geek out on just about everything under the sun. A vampire who walks during the day and refuses to sleep, Travis is the co-creator and lead writer for Punch Drunk Critics. He is also a contributor to Good Morning Washington, WBAL Morning News, and WETA Around Town. In the five minutes a day he's not working, Travis is also a voice actor, podcaster, and Twitch gamer. Travis is a voting member of the Critics Choice Association (CCA), Washington DC Area Film Critics Association (WAFCA), and Late Night programmer for the Lakefront Film Festival.

1 COMMENT

  1. […] for therapy-speak” and spends as much time discussing the male side character Red as Violet. Travis Hopson from Punch Drunk Critics wants to argue with the conceit of the film, “it’s a distraction, and […]

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