It's only been a few years since Léa Seydoux 's breakthrough performance in Blue is the Warmest Color, but given the number of diverse projects she's take on since then it seems like a lifetime ago. The actress has appeared in everything from The Grand Budapest Hotel to Spectre to Yorgos Lanthimos' oddball comedy, The Lobster, and now she's getting literary in an adaptation of Octave Mirbeau's Diary of a Chambermaid.
Directed by Benoît Jacquot (who directed Seydoux in Farewell, My Queen) and following on the heels of Jean Renoir and Luis Buñuel, the film centers on a Parisian chambermaid sent on assignment to the provinces, where she doesn't exactly fit in with their bourgeois culture. Here's the synopsis:
Léa Sedoux follows in the footsteps of Paulette Goddard and Jeanne Moreau as Célestine, a resentful young Parisian chambermaid who finds herself exiled to a position in the provinces where she immediately chafes against the noxious iron rules and pettiness of her high-handed bourgeois mistress (Clotilde Mollet), must rebuff the groping advances of Monsieur (Hervé Pierre), and reckon with her fascination with the earthy, brooding gardener Joseph (Vincent Lindon). Backtracking past the fetishism of Buñuel’s version to Octave Mirbeau’s original 1900 novel, Benoît Jacquot has one eye on contemporary France: the sense of social stiflement, Célestine’s humiliating submission to Madame’s onerous terms of employment, Joseph’s virulent anti-Semitism. But the turn-of-the-century setting saw the rise of Freud's ideas about the human unconscious and so Jacquot takes care to look past the characters’ outward behavior and appearance to the repression and compulsions that lie behind.
Diary of a Chambermaid opens June 10th, in case you're looking for something to escape all of the summer blockbusters.